The pieces in this issue are all exciting in their own way, and I found myself quite taken by a number of them. Many of the fiction pieces in this issue are stellar. Though the stories range in style from straight-up literary realism to magical realism with a touch of the surreal, the one thing they share in common is a strong emotional core. Celebrating their 20 th anniversary, Brevity is a staple in both concise writing, and skillful nonfiction.
As one might expect out of an anniversary issue, the September edition contains masterful nonfiction, exemplary of the quality work readers have come to expect. When is a treat too rich? This tenth anniversary edition is a fine tribute to the vision and efforts of its editors. The second issue of The Arkansas International contains an impressive range of eclectic writing.
In the latter poems and stories, black and brown lives are pulled apart by oppressive forces emboldened by a complicit public. Post Road Number 32 is a complex mix of storytelling that bobs and weaves, delights, and, in some moments, disappoints. The cover piece, a bland, semi-abstract digital drawing by Henry Samelson, is one such low moment, contrasted, incredibly, by the remarkable work of Charles McGill, which sits just inside the issue, seventeen pages away.
McGill, who repurposes vintage golf bags to critique class inequality and racial injustice, exhibits a powerful aesthetic that would have made for a much stronger point of entry. Basalt is formed from surface lava cooling, and the poetry and art within the issue mimics its namesake, rising up as a strong finished product built from an eruption of words.
Published out of Dublin, Ireland, Into the Void pushes the boundaries of comfort and vulnerability. Nothing is safe or simple. Into the Void refuses to apologize for the imperfections, and vulnerabilities. BOMB puts artists in conversation with each other. In the Summer issue, art is broadly defined and equally celebrated: poets and directors and architects, all are welcome at the table to open up the discussion on art, its legacy, history, and future.
I spent days pouring over the pages of this journal, unwilling to set it down, each piece reaching out to me in happiness or in sadness, painting stories I could dive into. Some of my favorite literary magazines are those that introduce and connect me to artists and writers I was unfamiliar with prior to reading. The latest issue of Driftwood Press accomplishes this twofold. First, it introduced me to a cover artist I was unfamiliar with. Second, it connected me to writers, each piece accompanied by an interview with its creator. Short fiction almost literally as far as the eye can see!
The more recent fiction pieces have a lot to offer in terms of subject matter and character. With no offense to anyone, it is refreshing to review a multi-genre collection coming from outside a university. As a group, the contributors to Mudfish 19, are not aspiring student writers; they are practiced artists providing us with practiced skills that encourage thoughtful reading and reflection.
The independence of a private press also gives us a much larger selection of authors, painters, and photographers than we can hope for in any one issue of a university press. In fact, in searching for a singular descriptor for the type of poetry readers can expect to find here, it was not possible. Filled with evocative language and eerie imagery, the pieces here straddle the lines between prose poetry and flash fiction, sometimes almost seamlessly.
Chtenia is a unique publication that focuses on translating, sharing, and re-discovering Russian literature, both classic and modern. Each issue has a special theme and Volume 10 Issue 2 focuses on happiness. It contains a variety of pieces, including plays, poems, short stories, and chapters of books, each one circling around the theme of happiness. A mystical melancholy permeates the summer issue of The Gettysburg Review.
In fiction, nonfiction, and poetry, writers have tapped into the underground spring of emotion and pulled up some of the ambivalent detritus that accompanies life. This is not to say that the themes in the works included in this issue are dismal; there is a life-affirming quality in acknowledging human emotion in literary texts where strength can be summoned in what may seem like weakness but is more resolute and evolutionary. The annual publication is worth the wait. With prosy poems and poetic prose, Cimarron Review provides fodder for intelligent readers.
Of the 25 writers, 14 are male, and a different 14 had published one or more books, while 8 were either MFA graduates without publications, or had published in fairly-unknown magazines. This issue holds timeless treasures, including the winners and honorable mentions of the Ralph Gustafson Prize for Best Poems and the Short Fiction Prize. Living in Michigan, it's hard not to be near water.
Surrounded by the Great Lakes and oodles of smaller inland lakes and rivers, residents are never farther than a few miles from fresh water. Whether one enjoys swimming, fishing, kayaking, or tanning on the sidelines, they never need to travel far. The Lake , the online, UK-based, poetry magazine, fulfills a similar function: editor John Murphy provides readers with poetry and book reviews that refresh and entertain.
With a new issue arriving every month, readers are never very far away from new poems. This issue of Dogwood features winners and finalists of their annual prizes for poetry, fiction, and nonfiction. I can honestly say, of all reviewers, this focus fell on the wrong person. The last thing in the world I want to spend my mind space on is waxing stupidly over the past. There is something mesmerizing about a lightning storm; each flash lasts for only a moment, but holds tremendous power that electrifies the air and the imagination.
Good flash fiction has the same effect on the senses of the reader, and the online magazine Vestal Review delivers the same power with each story. Weber: The Contemporary West , published by Weber State University, highlights literary and artistic talents from its home state of Utah and along the Wasatch mountain range. Each cover features a unique portrait image of the writer made especially for the publication by Susan Avishai. With so much to do in a day and so much to read in a lifetime, I always appreciate a little magazine that I can read in one sitting or fit into the straining seams of my bag.
Produced by the Osterhout Free Library in Wilkes-Barre, PA, each issue makes sure to feature a portion of regional writers, seven of whom are in this edition.
At the beginning of each month, Animal: A Beast of a Literary Magazine brings readers one piece each in the categories of fiction, nonfiction, and poetry, all with an animal theme. With only three pieces per issue, readers can fully enjoy each piece at their own pace, strengthening their appreciation for animal inspiration.
Regular readers of the Alaska Quarterly Review should already know that this journal rarely disappoints. This issue of the review meets the highest of expectations as it has set the bar in so many issues at an altitude that allows the inclusion of veteran writers as well as those writers only just setting out on their professional journeys. This issue contains works that may set the standards for contemporary literature even higher still. If you appreciate finely-crafted stories that draw you into their worlds so that you become unaware of yourself as a physical being, then you will want to read this issue of CutBank.
The poetry, nonfiction, and fiction pieces blend language and form in such ways that permit them to exist somewhere in a writerless universe where they come into being, yet seeming to have always been there. The writing is done with such skill and attention that makes it possible for readers to be unaware of the writing in a metaphysical sense. For me, this is the best type of writing: work that does not draw attention to itself as writing but rises above its own existence to breathe the air of higher altitudes; readers enter this oxygenated space for the duration.
Each piece highlights the beauty of country life or the flurried activity of city life, celebrating how we live in both worlds.
If readers aren't hungry before reading the Spring issue of Poetry East , they will be by the time they are done. Like introducing a friend to your favorite dishes at your regular restaurant, let me tell you my favorites in the Spring menu. Every month, it's a struggle not to pick up True Story and immediately begin reading as soon as the new issue arrives at the office. As a fan of both the little, single-author nonfiction magazine and true crime, Issue 7 reeled me in and refused to let go. I had to read the first few pages at my desk.
Having read the Fall issue of Nano Fiction, I am sorry to see that this will be their last issue. After ten years, the editors of this publication have chosen to end their journey in the world of underappreciated forms. The poetry, creative nonfiction, and fiction pieces unmask us, forcing readers to tackle our culpability and shame in order to approach art with greater humanity, vulnerability, and an open mind. Several longer stories dominate their plump issue, one of which is R.
Looking back through old family snapshots, a majority include a four-legged family member: Sadie our German Shorthaired Pointer. Upon seeing the German Shorthaired painting by Katie Erickson on the cover of the Winter issue of the Jabberwock Review , I was flooded with nostalgia, a bittersweetness that followed me throughout the issue.
In the Open Issue, Iron Horse Literary Review opens its doors to two new types of writing: translation and graphic literature. It's the graphic piece that opens this issue which ultimately grabbed my eye and ushered me in to the rest of the work. This issue achieves the former, providing readers with a place to chill out, unload, and just read. The editors go above and beyond as they create an issue filled with timely poetry, prose, interviews, and more.
Since , The Hudson Review has served as a platform for emerging authors and poets in a wide variety of genres, appealing to many aspects of American literature and culture. The Autumn issue shares poetry, fiction, essays, review, chronicles, and comments, each one truly unique and showcasing a wide variety of talents. Unlike so many other literary magazines, Thrice Fiction is, in itself, a work of art.
Self-identified as an alternative zine, each page tells a unique story from a unique voice, illustrated with unique art. The issue is one to keep by the bedside for easy access to multiple reads. The pieces in Issue 8. The works seem to have a common source with connections to surrealism and themes of nature, violence, blood, and the moon. From p. World Literature Today certainly lives up to its name, containing amazing pieces of literature from all over the world.
This particular issue focuses on Dystopian Visions and the country of Montenegro, but also contains fiction, essays, nonfiction, reviews, and poetry from other countries, with many of the pieces translated from their original language to English. They reject the flashy for a simple, quiet website. The current Winter issue is paired with three images of winter, the scenes whited-out with snow. Many of the pieces found in this issue coincidentally left me with the chills, fitting choices for inclusion in a winter issue. In addition, each poet provides a voice recording of their poetry, resulting in a complete, cohesive collection as it intimately connects reader to writer.
PANK publishes work that plays with form and expectations to confound readers with possibility. The published essays can be divided into two segments: essays about the craft of writing and essays following a more literary and narrative vein. Both segments best utilize the theme of joy when the authors bring the reader into the moment so we experience joy by their side. Start with cover photos by Alexandre Nodopaka, who interprets the chaos of the cosmos. In a tribute to the major changes the United States has undergone since the election last November, the editors of Camas chose to make this issue one that commemorates the many beautiful aspects of our country.
Through poetry, art, photography, fiction, and nonfiction, each piece celebrates the beauty of nature, diversity, and the true American spirit. In Volume 82 of New Letters , The University of Missouri-Kansas has provided us with one of those always delightful choices of literary direction and entertainment, and for some of us there also memories of past enjoyment. With this issue, jubilat creates something beautiful out of rubble, giving readers something to hold onto when we may feel hopeless, wordless, or disconnected.
This issue of The Florida Review begins with a Pulse tribute featuring five Orlando authors—queer authors, Latinx authors, authors from the Orlando community. The fiction, poetry, nonfiction, and graphic narrative draw tension from contradictions and juxtapositions, striking a balance.
The journal furthers what it means to tell true stories. The Fall issue of Copper Nickel from the University of Colorado Denver features poetry, fiction, nonfiction, and folios of works in translation. All the contributions are worth noting for the broad range of talent and skill, beginning with the variety of poetry, which is definitely of the quality we expect from this selection of experienced poets. Publishing works only words or less, and only three pieces per issue, Spartan offers readers engaging writing without requiring tons of commitment.
After reading this issue of Epoch produced by Cornell University, it is clear why many stories published here will later be accepted for compilations like The O. This issue of Epoch contained many interesting short stories, several poems, and a beautifully written essay. As someone who truly enjoys reading short stories, American Short Fiction literary magazine provides a real treat. I could not put it down, too eager to read each new short story.
This Fall issue celebrates 25 years and, as a commemoration, the front and back covers are covered with the names of every author that has been included in its 63 issues. Not only does this issue include the regular quality content, but it also features a translation chapbook with poems from Slovenian poet Meta Kusar.
It is no surprise that the Paterson Literary Review was named the best journal in , and has been in publication since The journal shares the talents of many amazing poets, prose writers, reviewers, interviewers, and memoir authors. I particularly liked how the poetry section often provides more than one poem from each poet so that the reader can experience a variety of work from each poet.
In addition, this issue includes the poems from the Allen Ginsberg Poetry Awards. In addition to other poems and short stories, this issue features poems from the winner, the first and second runners-up, and the nine finalists. No one who regularly reads university journals is going to be surprised that the Michigan Quarterly Review contains quality short work from some of the best authors.
The Summer , issue is certainly no disappointment. Twelve authors have provided us with the level of work we have come to expect and respect. Responding to a question about process and the willingness to pursue writing in spite of setbacks or crises of confidence, Cunningham made clear the importance of writers and their works to the world and how engaging in the pursuit is next door to alchemy.
One begins with the same words accessible to everyone and creates something new on a page where there was nothing before. This is what each of the poets represented in this issue of the Columbia Poetry Review have done. Two brothers, Donnie and Joe Emerson, recorded an album together in the late 70s. While a flop at the time, it was rediscovered by chance in , catapulting them into belated fame and inevitably stirring up ghosts.
Humanity has always been fascinated with death and invented stories to explore the possibility of life beyond death. Our fascination with death and resurrection continues to this day in popular culture, where superheroes are killed and brought back to life more times than that fellow from Nazareth. The summer issue of Conduit magazine , Digging Lazarus, presents a selection of talented writers who add their voices to the ongoing exploration of death and resurrection. It takes ego to believe what you write matters, but it takes greater ego to believe what you write will be heard in a pause and understood in a lack of words.
Like all good storytellers, the authors published in Flash: The International Short-Short Story Magazine invite the reader to come close and listen carefully. Only, these authors do so in words or less. But stories hate distance. The journal is at its best through humor and sometimes fantastical pieces that pull you close. I would add to that the visual art on the pages of this issue of Poetry Northwest. Commanding and stunning, the images strike with a bold knowledge of beauty, joy, and heartbreak.
The works of photography and artwork in this issue are acute in their understanding of different realities. The poets accomplish this with rich imagery, carefully controlled lines and stanzas, and an attention to the natural rhythm of language. The poems in this issue of Poet Lore were meant to be together and fall under an umbrella theme of home; they deal with relationships of people and places inspired by or in reaction to the word home and all of its connotations.
They explore the many manifestations of home in memories and observations tinged with bitter nostalgia, unapologetic and raw. With these words, Addonizio seems to have set the unifying theme of this volume; on its pages, beginning with the cover, readers find writers and artists exploring the ways in which people strut and fret. While reading the summer issue of The Sewanee Review , I decided to poke into some historical trivia. It was founded in and devoted to book reviews, theology, political science, literature and such. The Spring issue of Kestrel , a journal of literature and art out of Fairmont State University in West Virginia, includes a broad selection of poetry, an entertaining collection of short stories, and a fascinating group of art works.
The work is definitely energetic.
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It's overwhelming to think of the number of people we see daily and try to imagine their individual lives, their hidden stories. New work is added to the website weekly, with two PDF anthologies of this work released per year. The MacGuffin , which is a literary magazine published out of Schoolcraft College in Michigan, is an impressive collection of poetry and fiction for your reading pleasure.
The collected works of this issue explore a wide range of voices examining the human experience. The selections in this MacGuffin issue do nothing to deter from that perspective. These are the stories of people within the trans and queer communities laying bare their fears and vulnerabilities. Four out of ten gourds interviewed [. This issue combines dark themes with lighthearted wonder, and stunning world building with bizarre absurdism.
The cover of the Summer issue of The Stinging Fly keeps the waning spirit of summer alive for a little while longer with art by Lizzy Stewart. Issue 64 of Gargoyle compiles art, nonfiction, poetry and fiction with no overarching theme. Gargoyle lacks an identifiable style, yet boasts memorable content, especially in nonfiction and poetry. May all beings be joyful and free. Lalitamba opens us up to belief in all its forms, especially our connection to other beings across difference. Nimrod International Journal has a history of devoting issues to underrepresented voices; Mirrors and Prisms continues this work, featuring only writers of marginalized sexual orientations and gender identities.
But queer authors does not always mean queer subject matter. Leave logic at the door when you step inside stories laid out for you in this issue of Pacifica Literary Review. They have just enough normality to allow you to accept the absurdities. Hone your craft [and do] not be ashamed of a rejection letter. Regardless of genre, nearly every piece in this issue has some sense of narrative, of back story, of foreshadowing; there are stories told to us, shown through careful detail, and trolled through symbolic imagery by the many authors in this hefty annual—which is a factor also worth note.
That speaks to good submissions as well as good editing in selection. This issue of Creative Nonfiction focuses on the sacrament of marriage. While the wedding itself and much of a marriage can be happy, real life happens, and like anything lasting or worthwhile, it has its ups and downs.
Passages North is a vade mecum. A canon. A bible for literati. An authority. A serious digest. A volume that induces wallet-cracking extra-baggage charges. This annual journal sponsored by Northern Michigan University publishes short stories, fiction flashes, modular and traditional essays, and poetry—loads and loads of poems of every possible breed: ghazals, sonnets, pantouns, free-verse, coupleted-cantations—diversity in form, theme and content receive open-armed welcomes at Passages North.
The world is full of codes and keys, maps and legends. You wake up one morning, and ask yourself, How is it all connected? The question haunts you for the rest of your life. Here lies one of my favorite passages from this issue of River Teeth , a collection of creative nonfiction. And how is this writing all connected?
It is, after all, deemed worthy to all fall beneath the same covers. But one email to look forward to is the bimonthly announcement for a new issue of Ragazine. Returning from their six-month hiatus, Ragazine. CC brings more to the table than ever before. The Spring issue of Zone 3 opens without preface or fanfare, allowing the writing to speak for itself. But in important ways poetry is always about what is beyond mere words, just past our grasp and our understanding.
The flyleaf is a light, complementary pink, bringing forth the fresh feelings of spring and new flowers. The colorful, chaotic mixed media collage has been aptly chosen to greet readers, representing the work found in the new issue: the poetry, prose, and art all sing while pulling no punches.
Some of those feelings may ultimately, though not always, explode. The design of The Conium Review itself has a simple beauty. The design element of octopus tentacles wrap the outside white cover, and is repeated inside for each story title page. Rife with culture and social commentary and a myriad of international authors both male and female, Apogee delivers a collection of fiction, poetry, nonfiction, and art that I simply did not want to end. There are plenty of pictures, in all types of media. Charlee Brodsky photographs calves and feet, and Jim Daniels describes them in poetry in a series of four connected works.
Each issue, in addition to a selection of poems, reviews, and interviews, contains a special tribute section, and this issue's theme is The Greatest Generation. So this magazine rambles, big deal! A consistent vibration sounds through the pages of this sleek, perfect-bound journal. Both are viable, and as journals proliferate, this division was inevitable and necessary. A Canadian acquaintance recently bemoaned the state of American small publishing to me: why, even in San Francisco — clearly the New New York of the Lulu.
I had no answer for him. Canadians are indeed a lucky bunch. For a land with such a sparse prospective audience, there is an abundance of funding for the arts. Writers published in this issue seem to have already passed this test; they know themselves. They create stories which are good because they are allowed to expand on their own terms. There are no pictures to be found anywhere. Many of the poets here take small moments for their subject matter, suggesting larger introspection, as in a poem by Eric James Cruz. It's not just the alt comics and offbeat fiction, but the awareness that literature and art can, indeed, be fun.
It begins with a problem that, by the end of the story, the narrator solves. The creators preface their work as well as being prefaced themselves with that ever-present brief bio. Most artists and authors are presented through multiple or multi-part works. My first dive into the material brought to face a labyrinth of giddy texts, where sentences sprang in every direction with ease. Most works deserve praise for their innovation.
This slender, elegant prose poetry journal is full of rhythmically lucid, semantically challenging works. The editors favor prose poems and unpretentious narrative verse, which is of varying quality. Why did it take me so long to read this magazine? This issue George Garrett examines the genre of the Hollywood novel with special attention paid to the work of Bruce Wagner. Given the edginess of so much of the work, Diana E.
This is my favorite issue of this handsome annual yet. The issue opens with a silver print by Jerry N. Uelsmann of a sky inside a hand holding up both a house and a naked shadowy figure looking to one side, but approaching the house. As a reader who is partial to research-based writing, I was especially interested in this issue, but I am confident that readers with no particular connection to this type of work will find a great deal to appreciate here.
Ruth Stone Prize in Poetry judge Nancy Eimers, prose guest editor Victoria Redel, and poetry guest editor Roger Weingarten have selected strong, original work for this very satisfying issue. Booth never fails to present a beautiful product, and Issue 9 is no exception. Even the inside cover flaps are donned with colorful art. Luckily, the editors put in just as much care in their writing selections, so readers guilty of judging books by covers will not be disappointed when they read the work this issue of Booth holds.
Issues start out in the Poetry Shack, then move on to Paper Lanterns—a section for haiku, tanka, senryu, and other Japanese forms—before continuing on to prose, art, and an interview, with 64 total contributors found in this issue alone. The featured writers skillfully play with language, sound, emotion, and experience, and as readers, we are invited along as playmates. With the variety of styles the editorial sense includes, no one is left out. Becoming is a continuous process. The translations in this issue are accompanied by the pieces printed in their original languages, from German to Spanish to Swedish, which I think adds nuances to the reading that otherwise might not be caught.
These are high-quality stories, told in clear, confident, but unadorned prose. He looked over at the triangle of shadow between the ficus and the entertainment center where he had been hiding and saw that she must have known he was there all the time. These lively pieces concentrate on the vast subject matter encountered during automobile travel around the United States. This issue does not disappoint, although the art work—desolate industrial Manhattan landscapes by Andrew Lenaghan—can best be appreciated after reading the insightful commentary by Molly Hutton.
This last issue to be edited by David Milofsky "…it's important to know when to write the conclusion…" is a study in contrasts. For the most part, the fiction is plainspoken, colloquial, and of the moment. The poetry, on the other hand, tends toward the abstract, fragmented, and difficult, with marvelous syntactical configurations in poems both long and short.
Hendry's story of the ruin of a farm as a result of foot-and-mouth disease on a neighbor's property is beautifully written, old-fashioned in some senses a pleasingly traditional story , much like the family farm itself. This hefty volume can be regarded as a history, much like survivor accounts of other wars.
Its five sections are each prefaced by a curator, some offering more explanation than others to illuminate what follows. Contributors to this volume straightforwardly talk about the past, present and future, while not glossing over the conflicts in Southeast Asia four decades ago. The Seattle Review's lovely cover photograph belies the region's mountainous nature by offering not a hint of near—or distant—mountains while providing the merest glimpse of Lake Washington; and from a locale often thought stubbornly regional, this issue's surprising highlight is Kathleen Wiegner's interview of M.
Scott Momaday: "Some of my students sometimes say to me, 'Wouldn't it be wonderful if you wrote in Kiowa? There's no written language. The Means , a Michigan native, at once temperamental and charming, incubated for a full two years, paralleling the gestation period of an elephant. But Brown ultimately comments steeply, I think, and not un -clearly, on time and its relevance—or irrelevance—to narrative.
As much sense as preparatory advice for a locked door situation can make. Box , Shelby Township, MI What initially drew me to The Austin Review was the delivery. A sucker for small-sized publications, the compact journal called out to me as soon as I saw it. We are the only artists whose medium is not innately and irreducibly sensual, and yet, as artists, we try to create sensual objects from it. Our medium is constantly struggling with us, to drag us into our heads.
Plume - December Read more Southern Humanities Review - Runestone - Leaping Clear - Fall-Winter The Fiddlehead - Summer Room - Chinese Literature Today - Light and Dark Magazine - November Hotel Amerika - Spring Saw Palm - Kestrel - Summer Cherry Tree - Ruminate - Summer Ruminate is a reader-supported contemplative literary arts magazine that explores the creativity, beauty, and irony in the human experience.
They publish works from the viewpoint of all world religions and spiritualties, although many of the published stories, artwork, and poems do not have an overt connection to faith or spirituality. Wordrunner eChapbooks - Summer Able Muse - Summer Little Star - The Antioch Review - Spring New Delta Review - May Star 82 Review - Brilliant Flash Fiction - "Wow Us" RHINO - Sheila-Na-Gig online - Fall The Meadow - Birmingham Poetry Review - Spring The Cincinnati Review - Summer Here - Lou Lit Review - True Story - The Florida Review - Fall Split Rock Review - Spring The Gettysburg Review - Spring Creative Nonfiction - Spring MAKE - Allegro Poetry Magazine - June Memoir Magazine - Copper Nickel - Spring Willow Springs - Spring American Literary Review - Spring The MacGuffin - Winter Booth - Crazyhorse - Fall Brick - Winter AGNI - Number The Baltimore Review - Collateral Literary Journal - November Swamp Ape Review - March Glimmer Train - Winter A Public Space - Crab Fat Magazine - February Geist - Fall The Healing Muse - Fall Hiram Poetry Review - Spring Eleven Eleven - Blink-Ink - The American Poetry Journal - December From the Depths - Poetry - December Vallum - Foliate Oak - December The Tishman Review - October The Boiler - Fall Carve - Fall New England Review - Gravel - November Mud Season Review - October The Slag Review - Fall Ploughshares - Summer Prairie Schooner - Fall Bennington Review - Summer Apple Valley Review - Fall Brevity - September The Arkansas International - Spring Tin House - Fall Post Road - Still Point Arts Quarterly - Fall Lime Hawk - August Basalt - Into the Void - Summer Driftwood Press - Summer Fiction Southeast - Mudfish - Foundry - June Big Muddy - Literary Juice - June Chtenia - Spring The Gettysburg Review - Summer The Briar Cliff Review - Cimarron Review - Winter The Fiddlehead - Spring The Lake - July Blood Orange Review - May Dogwood - Vestal Review - Spring The Hollins Critic - April Animal - June Raleigh Review - Spring CutBank - Spring Poetry East - Spring True Story - May Cargo Literary - Spring Nano Fiction - Fall Hunger Mountain - Spring Jabberwock Review - Winter The Hudson Review - Autumn Thrice Fiction - December Conjunctions - Fall Consequence - Spring Tar River Poetry - Fall Gigantic Sequins - January Image Issue Number Issue 8.
The 2River View - Winter PANK - Creative Nonfiction - Winter Witness - Spring Camas - Winter Image Issue Number Number Copper Nickel - Fall Western American Literature - Fall Glimmer Train Stories - Winter Glimmer Train Stories is an amazing publication filled with wonderful, unique, and powerful short stories about love, life, death, loss, and the power of family.
Spartan - Fall Allegro Poetry Magazine - December Epoch - American Short Fiction - Fall Mid-American Review - Spring Modern Haiku - Fall Paterson Literary Review - Southern Humanities Review - Winter WomenArts Quarterly Journal - Michigan Quarterly Review - Summer Columbia Poetry Review - Spring One of the many joys of my high school creative writing class was anticipating the daily writing prompt.
Our teacher would surprise us every day with a unique topic to write about for five to ten minutes. The excitement and challenge of responding to these daily writing prompts showed me how skillful writers can take any theme and craft it into a well-written essay or poem. If you also know and appreciate the joy of exercising creative writing muscles, then you would enjoy reading THEMA , the theme-related journal. The second is to serve as source material and inspiration for teachers of creative writing. The third is to provide readers with a unique and entertaining collection of stories, poems, art and photography.
Talented writers answered the call to this quirky theme and present an offering of exciting short fiction and poetry.
True Story - October Carve Magazine - Summer Conduit - Summer Southern Poetry Review - The Antioch Review - Summer The Sewanee Review - Summer Kestrel - Spring Jersey Devil Press - October TQ Review - June The Stinging Fly - Summer Saranac Review - Gargoyle - Lalitamba - Pacifica Literary Review - Summer The Review - Winter West Marin Review - Passages North - River Teeth - Fall Zone 3 - Spring Phoebe - Fall Posit - June Epiphany - Fall The Wallace Stevens Journal - Spring The Conium Review - Apogee - TriQuarterly - Tin House - Winter Santa Monica Review - Fall An exceptional collection as is typical of this attractively presented journal.
Rattle - Winter The Paris Review - Winter The New Quarterly - Winter Meridian - Winter Greatest Uncommon Denominator - Spring Glimmer Train - Spring Verbatim - Volume Western Humanities Review - Winter College Literature - Winter Beloit Poetry Journal - Spring Backwards City Review - Spring Arkansas Review - December Call: Review - Bird Dog - Spring CUE - Winter The Portland Review - Spring Zahir - Winter The Hollins Critic - December Tampa Review - Sonic Boom - April Bop Dead City - Prairie Schooner - Winter The Bitter Oleander - Summer Shenandoah - Fall It also showcases non-fiction, short fiction, poetry, and book reviews; many of the pieces have in common a sense of restraint, almost an old-fashioned polite reserve.
Work here is on the formal rather than the experimental side. One note for fans: the editor writes that this journal will now be appearing three times a year instead of four. Five Points - River Styx - The Gettysburg Review - Autumn New Letters - The Antioch Review - Winter Descant - Winter Colorado Review - Summer The Greensboro Review - Spring Pool - No: a journal of the arts - That lofty subtitle is not just a marketing ploy. It is so well put together it succeeds as a discreet collection of poems and as a unified whole.
Beautifully bound, this creative cornucopia is overflowing with the smartest, edgiest, and most provocative poetry. Blink Ink - Number Each piece begs to be fully consumed. Catamaran Literary Reader - Winter The Cincinnati Review - Winter Grain - Fall Polychrome Ink - October The authors featured dig into the intersection of power and vulnerability to tell stories where people are diverse, but most importantly: where people are people.
Phantom Drift - Fall Five Fingers - The work in issue 22 is, for the most part, controlled, tightly wound, sure of itself, and intense. Deborah A. Lott's "Fifteen," a moving account of her father's legacy of insanity provides this remarkable insight: "That I made the mistake of aligning myself with the parent who was crazy because I confused his intensity with love.
Bardsong - Summer Untranslatable into English, my own understanding of it has come to mean several ideals: a melancholy longing for an unfulfilled dream of the way things should have been; a need to return to the ancientness of our culture and people; and that beneath the surface of what we consciously see in the present world lies another place, one that is sacred and holds the secrets that are the heart of our heritage.
Lake Effect - Spring Both winners in the prose categories are short pieces, two to three pages, and lush and surreal in tone. The Bitter Oleander - Spring Poetry dominates the spring edition of Bitter Oleander, a handsome, glossy journal produced by Bitter Oleander Press. This issue features work by twenty-six poets, with six excellent translations among them. Quick Fiction - Fall Each piece clocks in at five hundred words or less, the subject matter ranging from a surreal sexual encounter to sea turtles to an overdue library book to an interview with the CIA, featuring styles both lyrical and gritty, with some entries blurring the line between prose and poetry.
CV2 Contemporary Verse - Winter I was unfamiliar with many of the poets here, most of whom have published primarily in Canadian journals, and I was happy to be introduced to their strong, original work. Decant - The ten stories of this issue are eclectic in style and, alas, quality: most are engaging, many are well-written, and some could use a bit more work.
Williams' "Seeds in the Cellar" about a young man who is somewhat embarrassed by his Cherokee heritage but embraces it in a private moment of mourning for his dead grandfather. This issue of the journal is something of a collage itself, boasting a variety of talented writers from San Francisco and from around the world. Binyavanga Wainaina's "Hell is in Bed with Mrs. Peprah" takes the reader to a beauty shop in Kenya in the late 70s, where a young girl sits among the hot combs and gossip and listens to the educated, eccentric, and undeniably strong "Auntie" Peprah defend herself against naysayers.
The Louisville Review - Fall This issue's guest editors, Crystal Wilkinson, a professor of creative writing at the University of Indiana, and award-winning poet, Debra Kang Dean, have selected four stories, five essays, and fifty pages of poetry by established and emerging writers. I was struck by the volume's unifying tone, which might be best described as poignant — quiet, traditional work, deeply felt, writing that is both psychologically astute and moving.
Seneca Review - Spring The Southern Review - Spring Everything expected of a journal co-founded by Robert Penn Warren and Cleanth Brooks is here in an issue commemorating Warren's 10oth birthday with his own fine prose three letters to friends and six memoirs—including the delightful "Places: A Memoir" by his daughter, poet Rosanna Warren. South Dakota Review - Winter This slim but vivacious lit mag out of the University of South Dakota is bristling with content: eight short stories, twenty-eight poems, and two essays.
Spring - October Subtitle The Journal of the E. On the top floor of a small desert hospital, an unlikely piano prodigy lies in a coma, attended to by his gruff, helpless father. Outside the clinic, a motley vigil assembles beneath a reluctant New Mexico winter--all watched by a disconsolate wolf on his nightly rounds. To some the boy is a novelty, to others a religion. And above them, a would-be angel sits captive in a holding cell of the afterlife, finishing the work he began on Earth, writing the songs that could free him.
A Million Heavens brings John Brandon's deadpan humor and hard-won empathy to a new realm of gritty surrealism--a surprising and exciting turn from one of the best young novelists of our time. His favorite recreational activity is watching college football. This is his third novel.